The Count of Monte Cristo ~

I always loved “The 3 Musketeers” and “The Count of Monte Cristo” is another by Alexandre Dumas. It’s a powerful book about loyalty, commitment, determination, strength of spirit, of seeking justice and yet not giving up hope. And along with that, if you like sword fights, revenge, disguises, deception, then it’s right up your alley!

“Life is a storm, my young friend. You will bask in the sunlight one moment, be shattered on the rocks the next. What makes you a man is what you do when that storm comes.”

No truer words said! As the main character finds out, he finds his ‘truth’ in the most unexpected way, through the people he meets that come into his life only briefly and teaches him something at the moment he needs it the most. 

Edmond Dantes is unjustly framed for treason and sent to a prison fortress for 14 long years. A fellow prisoner is able to teach him all he knows, to figure out his purpose and to plan his vengeance on his duplicitous ‘best friend’ who stole is life, and love. With the secrets to the treasure of Monte Cristo, he is able to re-instate himself in society as the mysterious Count, surrounded by wolves in disguise, he learns to keep his enemies close….

So, no matter what, we must endure. Nothing is perfect in life or happens as we expect, it’s about our mindset when we face disappointment and adversity, and how we act that counts.

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“When you compare the sorrows of real life to the pleasures of the imaginary one, you will never want to live again, only to dream forever.”

~ The mystery of ‘The Phantom of the Opera’ ~ 🖤🌹

‘The Phantom of the Opera’ is definitely a tale about escapism- Christine spends her whole life being coached by a ‘mysterious voice’ that mentors her to do better and achieve beyond what she thought possible, when she finally steps through the mirror and meets the man behind the voice, her illusion shatters and she is repulsed by his deformed face. 💀

Instead, she goes for her childhood sweetheart Raoul, and, the phantom realises that despite all he’s given her, she still turns away in horror. She pities him and yet still agrees to lay a trap, by going along with his grand plans for her on the stage, but in the end, his jealousy still destroys them (and the opera house which is also his home.) 🎼🎭

We see him as the villain of the story, but we also feel sorry for him, hiding away with no love and kindness- and perhaps it’s this forced solitude & space to develop his talents that turns him into a musical genius. There are many things to learn from it, that you can’t force love, that you can’t expect too much from anyone, yet also the power of forgiveness and also dedication throughout a lifetime. 🖤🖤

Another thing I love about the Phantom are the aesthetics, the opulent backdrop & historical references- after all it’s a theatre, the masquerade balls, the grandness, and of course, the amazing soundtrack!! Andrew Lloyd Webber really transformed it and made it his own- hence why it still stands the test of time. 👰🏻👻🎞⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀ ⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀

~ 𝔔𝔲𝔬𝔱𝔢 𝔠𝔬𝔯𝔫𝔢𝔯~

“They played at hearts as other children might play at ball; only, as it was really their two hearts that they flung to and fro, they had to be very, very handy to catch them, each time, without hurting them.”

“And, despite the care which she took to look behind her at every moment, she failed to see a shadow which followed her like her own shadow, which stopped when she stopped, which started again when she did and which made no more noise than a well-conducted shadow should.”

20,000 leagues under the sea

Having started “20,000 leagues under the sea”, watched “Aquaman”, “Jaws” & “Blue Planet-the deep” all in the space of 2 days ~ it’s no surprise when I started dreaming of being violently flung about on a boat swept by ominous looking black waves. 🌊

My phone was sliding around on deck, and I had just managed to catch it in one hand with triumph- only to discover my 2 companions were sinking under the tide (we were on our way to attend a party.) Needless to say, I arrived at the party without them… though I did give all my best efforts searching around, it turned into an affair like “The Great Gatsby”, they had different personas and were trying their best to evade me…

I’ve always been intrigued with creatures deep under the ocean. Their bulbous eyes and sharp teeth, their luminescent, transparent bodies, their spongy blob like exteriors… stuff out of nightmares…(which, I love calling up on the projector to show my students just to see their reaction!)

They say an iceberg is largely 3/4 under the surface. There are things below those tranquil waters that are beyond our imagination, and will still continue to lie unobserved.

So when the ‘Nautilus’ arrives and causes havoc in the seas around the world, it’s not hard that it could be mistaken for a narwhal or a cross between a whale/sea unicorn with its impenetrable exterior. It raises panic enough that the best captains rally and send forth a ship ready to capture, and, sadly slaughter this troublesome creature…Only to realise, it’s not a beast at all coming forth from the depths, but indeed a vessel, captained by none other than the infamous Captain Nemo. At this point our 3 protagonists have nothing else to do but sit, wait, and be carried along in an adventure like no other (since they’ve seen too much to be allowed to return home to dry land.) 🙄

Captain Nemo lets our guests into many secrets about the creation of his vessel (as surely it defies science), but we know this is only the beginning. If it’s anything like “5 weeks in a balloon”, I know that there will be no shortage of crazy events, the possible harpooning of sea spiders and giant squids, oxygen shortage, walking on the ocean bed and many, new discoveries.

And…if it’s anything like Dr Ferguson, Kennedy & faithful Joe- hanging onto the last trimmings of their damaged hot air balloon, shot at by arrows above enemy waters and praying to be saved~ we can only hope this Parisian professor & his friends get back safely (along with the unsuspecting sea creatures that cross their path!)

Robin Hood ~ the return of a legend?

I’ve probably analysed all adaptions to death in my previous post, but here’s another update! (This doesn’t help the ‘nerd’ image in the slightest…)

*spoiler alert*

So what comparisons can we make?

This movie takes the darkness of the Russell Crowe version, combined with the humour of the TV show (Marian looks the spitting image of Lucy Griffiths). It delivers the action, the evil, and combines it with a lot of assassins creed. Riding horseback over rooftops, shooting 100 arrows a second, their modern outfits, buildings that look more eastern than medieval 🏰 … we know how unrealistic this is going to be, but that’s also what keeps us riveted to the screen. It isn’t going to be accurate. But we also know that RH didn’t exist in his ‘current form.’ RH is a great bowman, (my jealousy knows no bounds) and if nothing else, it’s good to have a heroic figure to believe in.

John takes over Azeem’s role in ‘Prince of thieves’, that of mentor and companion, Will Scarlet actually becomes the new sheriff (bet you didn’t see that coming!) There is no gang, at least not without a beginning and each has a story to tell. The dynamics have shifted between them, and they’re not the beloved characters you remember them to be.

The concept of RH to me isn’t just the rich robbing to give to the poor. It’s about the idea of justice, of doing what’s right, and caring for those around you. It might seem two dimensional, (he is a killer, and surely has done some terrible things during the crusades. Isn’t stealing from the law equally as deplorable?) But to this day, and what makes it such a popular legend to portray, is that it shares some important qualities~ of staying loyal (Robin & Marian throughout the time he’s at war), of friendship (in this case striking a bond with those you fight/ work alongside and having a common cause), fairness and sacrifice- death seems but a notion, if its fighting for what you believe in/ those you love.

Yes all versions have a bleak view on the corruptness of the church. The crusades were dark, horrific times and nothing is pretty about heads being lopped off, or peppered by a thousand arrows. They fight for a cause directed by another’s hand and it’s only upon his return home does RH realise the corrupt villains at his own door.

So isn’t he justified in taking action? To strike at the root of evil? No matter what face he wears over the years, he represents an ‘idea’, to stand up against tyranny.

All along it seems a tug of war between RH and the sheriff, of deception, both equally dependent on the other. So it’s interesting to see their relationship throughout the process.

For this movie, RH keeps his personae as robin of Loxley (rich Lord of the Manor) as well as his doppelgänger Robin of the hood. His disguise is never doubted and the sheriff trusts him all too easily. Which is what makes it so intriguing. You’re always waiting for that moment when he’ll be found out.

So what if you found a role reversal, with RH as the villain, the sheriff as compassionate, albeit flawed man caught between his duty & personal affairs who isn’t fixated on capturing Robin Hood at all but merely surviving and protecting his family-what then? 🤔

Overall, it did fulfill what I can only describe as the RH ‘criteria’ and pay homage to the essence of what he represents. The true core of it stays the same, no matter how modern or glitzily revamped the adaptations are. It’s easy to be a critic of the movie, but the reason it stays in people’s minds is down to one thing. Whether he existed or not, he’s been turned into a household name that inspires courage and imagination through the years … and that’s the true legend of Robin Hood.

“Our Mutual Friend” Dickens


Finally, I have found time for a Dickens Review! I put these in small bite 20140804_144457sized chunks, for easy viewing…so here begins;

  • Summary as taken from the blurb of Our Mutual Friend: “Dicken’s last completed novel and one of the greatest books about London, ‘Our Mutual Friend‘ is a dark, enigmatic portrayal of a city corrupted by money.When a body is pulled out of the Thames, it is presumed to be John Harmon, drowned under suspicious circumstances before he could claim the fortune his father made from rubbish heaps. This mystery impinges on the lives of the naiive, hardworking Boffins, the riverside scavenger Gaffer Hexam, his beautiful daughter Lizzie, the mercenary Bella Wilfer and the doll’s dressmaker Jenny Wren, in a story of greed, death and renewal.”16

1. A dark story, it is considered one of Dicken’s most “sophisticated works”, though perhaps, one of his least well known.

2. The novel has a vast array of memorable characters which, through his wit and humour; you soon grow attached to.Though the language is less straight forward compared to his earlier novels, don’t be put off. The narrative is very well thought out and incredibly complex with intricate and unexpected plot lines. Compare the layers to an onion…

3. Death, intrigue, mystery, romance – it has everything. You are fooled along with a great number of characters along the twists and turns of a very complex narrative.Very satisfying as characters get their just rewards and no evil deed goes unnoticed, or unpunished. For me, the reading experience has to hold a variety of things, just like my favourite films. Action adventure mixed with fantasy and a bit of romance. It’s great how though Dickens manages to portray the worst of human nature in squalid London and the boundaries of social class- there is a particularly heart warming scene between John Rokesmith and Bella Wilfer that I always find myself going back to and just melts my heart (yup, I’ve bookmarked the pages)

OMF-Lodger-and-Daughter4.Like each of his books, there are some great characters- no matter what shape or form they take, from the devilish and hideous dwarf Quilp in “The Old Curiosity Shop” who delights in playing tricks on others and getting the better of them, to the one legged and villainous Silas Wegg who circulates the pages of “Our Mutual Friend.”

5.However one thing about Dickens most people notice, is that his female characters are often under developed. They either hold supporting roles, as spinsters, the frugal or the vain and frivolous, or proud mothers. Young females are all dignified, elegant, pretty who undergo some tragedy or suffering which make them all the more beautiful and heroic; sought after and admired by men of all ages.

6. The illustrations are wonderfully detailed. They really bring the characters to life and gives that something bit extra to your reading experience.

177.The novel exemplifies on the corruption money can bring, the greed it excites, and how it effects the lives of those it touches.

8.After finishing the book, I thought up a hierarchy of wealth of all of the characters in the novel, taking into consideration their fluctuating social position. This may seem a bit time consuming and superfluous, but the story made me think long after I had closed its pages,(often as I was lying awake at night) and it was my way of sorting through the vast array of characters in the novel. I don’t want to give away spoilers by laying it out in all its glory. So I will let you read it first…

(Follow for more bite sized reviews on “Barnaby Rudge”, “Nicholas Nickleby” and other Charles Dickens novels.) 

The Narrative Voice of Death: “The Book Thief” by Markus Zusak

liesel-libraryThe narrative voice, as one who unravels a story to the reader; is interesting to explore as it bring a unique perspective to the novel. In this case, the narrative voice of Death acts as a director of the lives he witnesses, a storyteller masking the misery during the Holocaust and the suffering of the Jews during WW2 through the simplicity of storytelling. “The Book Thief” takes the form of a Meta-fictional style, the act of writing becomes the subject; of which the character of Death capitalises on the “truth” blending fiction and reality through irony and self reflection. In the text, the narrator reflects on the capability of humanity and mankind’s ability to be simultaneously beautiful and destructive; characteristics which often puzzle and surprise Death. 

Death is an omnipresent and omniscient force whose job is to collect souls; it is humanised and displays a vulnerability and sentimentality of spirit. The question is put forth to the reader; what if Death can possess the ability to feel and care for the lives of those it witnesses?  As the narrator itself claims, “the human heart is a line, whereas my own is a circle, and I have the endless ability to be in the right place at the right time. The consequence of this is that I am always finding humans at their best and worst.  I see their ugly and beauty and wonder how the same thing can be both.”(p.491) It is through the narrative voice which brings our attention to the nature of mankind and teaches us to observe what we as humans are capable of; and the possible consequences of our choices in life.

f992718582e6ba92d30f06f6a156840cIt points out it is often misconstrued as a stereotypical being, a Grim Reaper figure with a cloak and scythe. Cynically, it continues, “You want to know what I truly look like? I’ll help you out. Find yourself a mirror while I continue.” (p.307) Though this is metaphorical, it brings to the reader’s attention how Death is within all of us, our fears, hopes. The concept is all around and part of us, it is something we should not be afraid of. So what shapes our view of Death? Is it shaped by what we see in the media, as shown by the vision of the Grim Reaper, or by our experiences? From an early age, our first experience of Death is perhaps through the loss of a pet. If a pet dies, parents struggle with how best to share this information in a way which will not horrify or scar the child, as it is something which will remain in their experiences for years to come. For us all, death is equated with sadness and pain so it is no surprise we are scared of it. “Those kinds of souls always do – the best ones. The ones who rise up and say “I know who you are and I am ready.” (p.532) The narrator, though direct and frank in its choice of words; illustrates to the reader the familiarity it has with humans, like meeting a close friend. There is a comfort in that, it is familiar with its occupation and therefore imparts to the reader the lessons and inevitability of life to soften the transition.  

The Book Thief

“The Book Thief” (2013) Liesel and Rudy race each other

Death often refers to Liesel as the “Book Thief” in the novel. The title of the novel is dedicated to her. So what is the significance? The reason for this is her love for stealing books. In the case of Liesel, not only is stealing a representation of a girl’s defiance against adversary and the influence of the Nazi regime but she is taking her education into her own hands.

So is it acceptable to steal something if it is abandoned, or left to burn? As children we are taught to treat books with respect, to assign value to words. Nowadays we live in a society which relies predominantly on technology. In the West, there is still a focus on reading for pleasure, yet less and less children have the motivation or desire to read storybooks, especially ones that do not contribute to schooling. So how do we encourage kids to read and share their love of reading with others? Like Liesel it can be a very special and personal experience. For her, it is the thrill of stealing something back- everyone has their own motivation, the conscious act of choosing their first book and their sense of achievement when they finish it. Through a Russian Doll effect, of a story within a story, the narrator Death has a unique ability to reignite the passion to read, the act of picking up a book and feeling its spine, the letters on the cover. Each book is different, just like each individual in the world. Perhaps it is this love and treasuring of words that makes Liesel’s actions more acceptable to the reader; after all, Death does not judge Liesel for her acts of stealing but regards her determination with pleasant surprise.

Liesel in the neighbour’s library

A history lesson

Death can be considered a very unlikely narrator giving a history lesson to children in the text. Comparable to the autobiography “Anne Frank: The Diary of a Young Girl” from a Jewish girl’s perspective, “The Book Thief” focuses on a German girl’s point of view. Though this is a novel, many children today live similar lives to Liesel; orphans, homeless, starving in the backdrop of war. Death serves as the omnipresent and omniscient voice that as a reader, we do not doubt, focusing on children and how war impacts on them. The world is watching events unfold in the past, yet do we learn from our mistakes? Is history repeating itself? The narrator wishes to highlight on this important point, encouraging the reader to think and, as mentioned above to form their own opinions on what is right and wrong. In fact, the narrator believes: Living a good or bad life is its own reward or punishment.

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“The Book Thief” (2013) Liesel & Hans

Language to convey meaning

Another point to discuss in relation to Death’s narrative voice is the understanding of the structure of language to convey meaning, “the words were on their way and when they arrived, Liesel would hold them in her hands like the clouds and she would wring them out; like the rain. (p. 85)” It is the unexpectedness of language and the unique way Death offers information. It explores everyday and common aspects such as rain and clouds but describes it in a way which seems unique and different to the reader; as if they are seeing it for the first time.

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“The Book Thief” (2013) The Hubermanns’ at home

The narrative voice of Death is a teacher, a guide and storyteller. Death transcends time and place, encouraging us to think about topics in a way we are unaccustomed to, allowing the reader to learn about themselves through the narrative. It is a process with no definitive outcome. It is the punishment and reward of living, a story of hope and the beauty of mankind despite humans ability to perform such horrors and destruction.Essentially the novel is a universal book because it appeals to our human psyche, our compassion and our sense of right and wrong; of injustice. No matter our background, our situation in life or where we come from, there is undeniably something for everyone in the novel. May it be the love of books, of music, of singing or reading and drawing. Of friendship and family and laughter, the narrative voice of Death cements all together through its brilliant storytelling.

The-Book-Thief-cover

 (Review on “The Book Thief” 2013 film will follow shortly…)

Copyright © 2014 by Kate W J White (All Rights Reserved)