The Count of Monte Cristo ~

I always loved “The 3 Musketeers” and “The Count of Monte Cristo” is another by Alexandre Dumas. It’s a powerful book about loyalty, commitment, determination, strength of spirit, of seeking justice and yet not giving up hope. And along with that, if you like sword fights, revenge, disguises, deception, then it’s right up your alley!

“Life is a storm, my young friend. You will bask in the sunlight one moment, be shattered on the rocks the next. What makes you a man is what you do when that storm comes.”

No truer words said! As the main character finds out, he finds his ‘truth’ in the most unexpected way, through the people he meets that come into his life only briefly and teaches him something at the moment he needs it the most. 

Edmond Dantes is unjustly framed for treason and sent to a prison fortress for 14 long years. A fellow prisoner is able to teach him all he knows, to figure out his purpose and to plan his vengeance on his duplicitous ‘best friend’ who stole is life, and love. With the secrets to the treasure of Monte Cristo, he is able to re-instate himself in society as the mysterious Count, surrounded by wolves in disguise, he learns to keep his enemies close….

So, no matter what, we must endure. Nothing is perfect in life or happens as we expect, it’s about our mindset when we face disappointment and adversity, and how we act that counts.

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“When you compare the sorrows of real life to the pleasures of the imaginary one, you will never want to live again, only to dream forever.”

20,000 leagues under the sea

Having started “20,000 leagues under the sea”, watched “Aquaman”, “Jaws” & “Blue Planet-the deep” all in the space of 2 days ~ it’s no surprise when I started dreaming of being violently flung about on a boat swept by ominous looking black waves. 🌊

My phone was sliding around on deck, and I had just managed to catch it in one hand with triumph- only to discover my 2 companions were sinking under the tide (we were on our way to attend a party.) Needless to say, I arrived at the party without them… though I did give all my best efforts searching around, it turned into an affair like “The Great Gatsby”, they had different personas and were trying their best to evade me…

I’ve always been intrigued with creatures deep under the ocean. Their bulbous eyes and sharp teeth, their luminescent, transparent bodies, their spongy blob like exteriors… stuff out of nightmares…(which, I love calling up on the projector to show my students just to see their reaction!)

They say an iceberg is largely 3/4 under the surface. There are things below those tranquil waters that are beyond our imagination, and will still continue to lie unobserved.

So when the ‘Nautilus’ arrives and causes havoc in the seas around the world, it’s not hard that it could be mistaken for a narwhal or a cross between a whale/sea unicorn with its impenetrable exterior. It raises panic enough that the best captains rally and send forth a ship ready to capture, and, sadly slaughter this troublesome creature…Only to realise, it’s not a beast at all coming forth from the depths, but indeed a vessel, captained by none other than the infamous Captain Nemo. At this point our 3 protagonists have nothing else to do but sit, wait, and be carried along in an adventure like no other (since they’ve seen too much to be allowed to return home to dry land.) 🙄

Captain Nemo lets our guests into many secrets about the creation of his vessel (as surely it defies science), but we know this is only the beginning. If it’s anything like “5 weeks in a balloon”, I know that there will be no shortage of crazy events, the possible harpooning of sea spiders and giant squids, oxygen shortage, walking on the ocean bed and many, new discoveries.

And…if it’s anything like Dr Ferguson, Kennedy & faithful Joe- hanging onto the last trimmings of their damaged hot air balloon, shot at by arrows above enemy waters and praying to be saved~ we can only hope this Parisian professor & his friends get back safely (along with the unsuspecting sea creatures that cross their path!)

Robin Hood ~ the return of a legend?

I’ve probably analysed all adaptions to death in my previous post, but here’s another update! (This doesn’t help the ‘nerd’ image in the slightest…)

*spoiler alert*

So what comparisons can we make?

This movie takes the darkness of the Russell Crowe version, combined with the humour of the TV show (Marian looks the spitting image of Lucy Griffiths). It delivers the action, the evil, and combines it with a lot of assassins creed. Riding horseback over rooftops, shooting 100 arrows a second, their modern outfits, buildings that look more eastern than medieval 🏰 … we know how unrealistic this is going to be, but that’s also what keeps us riveted to the screen. It isn’t going to be accurate. But we also know that RH didn’t exist in his ‘current form.’ RH is a great bowman, (my jealousy knows no bounds) and if nothing else, it’s good to have a heroic figure to believe in.

John takes over Azeem’s role in ‘Prince of thieves’, that of mentor and companion, Will Scarlet actually becomes the new sheriff (bet you didn’t see that coming!) There is no gang, at least not without a beginning and each has a story to tell. The dynamics have shifted between them, and they’re not the beloved characters you remember them to be.

The concept of RH to me isn’t just the rich robbing to give to the poor. It’s about the idea of justice, of doing what’s right, and caring for those around you. It might seem two dimensional, (he is a killer, and surely has done some terrible things during the crusades. Isn’t stealing from the law equally as deplorable?) But to this day, and what makes it such a popular legend to portray, is that it shares some important qualities~ of staying loyal (Robin & Marian throughout the time he’s at war), of friendship (in this case striking a bond with those you fight/ work alongside and having a common cause), fairness and sacrifice- death seems but a notion, if its fighting for what you believe in/ those you love.

Yes all versions have a bleak view on the corruptness of the church. The crusades were dark, horrific times and nothing is pretty about heads being lopped off, or peppered by a thousand arrows. They fight for a cause directed by another’s hand and it’s only upon his return home does RH realise the corrupt villains at his own door.

So isn’t he justified in taking action? To strike at the root of evil? No matter what face he wears over the years, he represents an ‘idea’, to stand up against tyranny.

All along it seems a tug of war between RH and the sheriff, of deception, both equally dependent on the other. So it’s interesting to see their relationship throughout the process.

For this movie, RH keeps his personae as robin of Loxley (rich Lord of the Manor) as well as his doppelgänger Robin of the hood. His disguise is never doubted and the sheriff trusts him all too easily. Which is what makes it so intriguing. You’re always waiting for that moment when he’ll be found out.

So what if you found a role reversal, with RH as the villain, the sheriff as compassionate, albeit flawed man caught between his duty & personal affairs who isn’t fixated on capturing Robin Hood at all but merely surviving and protecting his family-what then? 🤔

Overall, it did fulfill what I can only describe as the RH ‘criteria’ and pay homage to the essence of what he represents. The true core of it stays the same, no matter how modern or glitzily revamped the adaptations are. It’s easy to be a critic of the movie, but the reason it stays in people’s minds is down to one thing. Whether he existed or not, he’s been turned into a household name that inspires courage and imagination through the years … and that’s the true legend of Robin Hood.

Modern Fairytale

do_you_believe_in_fairy_tales___by_ammozart-d5gxlce

-Welcome to my library says the beast. Two storeys to be read at your leisure. All yours.

-No thanks. Belle shows him her Kindle, held to her chest like an over swaddled baby-binder. This is your whole library.

-Can you eat it? Smell it, touch it, lick it? Didn’t think so, says the beast. It is not a proper thing you can drop in a bath, crumple in your bag until it is dog-eared, use as a coaster -no, it’s a travesty. You cannot eat a Kindle, and that’s a fact.

Copyright © 2014 by Kate W J White (All Rights Reserved)

The Narrative Voice of Death: “The Book Thief” by Markus Zusak

liesel-libraryThe narrative voice, as one who unravels a story to the reader; is interesting to explore as it bring a unique perspective to the novel. In this case, the narrative voice of Death acts as a director of the lives he witnesses, a storyteller masking the misery during the Holocaust and the suffering of the Jews during WW2 through the simplicity of storytelling. “The Book Thief” takes the form of a Meta-fictional style, the act of writing becomes the subject; of which the character of Death capitalises on the “truth” blending fiction and reality through irony and self reflection. In the text, the narrator reflects on the capability of humanity and mankind’s ability to be simultaneously beautiful and destructive; characteristics which often puzzle and surprise Death. 

Death is an omnipresent and omniscient force whose job is to collect souls; it is humanised and displays a vulnerability and sentimentality of spirit. The question is put forth to the reader; what if Death can possess the ability to feel and care for the lives of those it witnesses?  As the narrator itself claims, “the human heart is a line, whereas my own is a circle, and I have the endless ability to be in the right place at the right time. The consequence of this is that I am always finding humans at their best and worst.  I see their ugly and beauty and wonder how the same thing can be both.”(p.491) It is through the narrative voice which brings our attention to the nature of mankind and teaches us to observe what we as humans are capable of; and the possible consequences of our choices in life.

f992718582e6ba92d30f06f6a156840cIt points out it is often misconstrued as a stereotypical being, a Grim Reaper figure with a cloak and scythe. Cynically, it continues, “You want to know what I truly look like? I’ll help you out. Find yourself a mirror while I continue.” (p.307) Though this is metaphorical, it brings to the reader’s attention how Death is within all of us, our fears, hopes. The concept is all around and part of us, it is something we should not be afraid of. So what shapes our view of Death? Is it shaped by what we see in the media, as shown by the vision of the Grim Reaper, or by our experiences? From an early age, our first experience of Death is perhaps through the loss of a pet. If a pet dies, parents struggle with how best to share this information in a way which will not horrify or scar the child, as it is something which will remain in their experiences for years to come. For us all, death is equated with sadness and pain so it is no surprise we are scared of it. “Those kinds of souls always do – the best ones. The ones who rise up and say “I know who you are and I am ready.” (p.532) The narrator, though direct and frank in its choice of words; illustrates to the reader the familiarity it has with humans, like meeting a close friend. There is a comfort in that, it is familiar with its occupation and therefore imparts to the reader the lessons and inevitability of life to soften the transition.  

The Book Thief

“The Book Thief” (2013) Liesel and Rudy race each other

Death often refers to Liesel as the “Book Thief” in the novel. The title of the novel is dedicated to her. So what is the significance? The reason for this is her love for stealing books. In the case of Liesel, not only is stealing a representation of a girl’s defiance against adversary and the influence of the Nazi regime but she is taking her education into her own hands.

So is it acceptable to steal something if it is abandoned, or left to burn? As children we are taught to treat books with respect, to assign value to words. Nowadays we live in a society which relies predominantly on technology. In the West, there is still a focus on reading for pleasure, yet less and less children have the motivation or desire to read storybooks, especially ones that do not contribute to schooling. So how do we encourage kids to read and share their love of reading with others? Like Liesel it can be a very special and personal experience. For her, it is the thrill of stealing something back- everyone has their own motivation, the conscious act of choosing their first book and their sense of achievement when they finish it. Through a Russian Doll effect, of a story within a story, the narrator Death has a unique ability to reignite the passion to read, the act of picking up a book and feeling its spine, the letters on the cover. Each book is different, just like each individual in the world. Perhaps it is this love and treasuring of words that makes Liesel’s actions more acceptable to the reader; after all, Death does not judge Liesel for her acts of stealing but regards her determination with pleasant surprise.

Liesel in the neighbour’s library

A history lesson

Death can be considered a very unlikely narrator giving a history lesson to children in the text. Comparable to the autobiography “Anne Frank: The Diary of a Young Girl” from a Jewish girl’s perspective, “The Book Thief” focuses on a German girl’s point of view. Though this is a novel, many children today live similar lives to Liesel; orphans, homeless, starving in the backdrop of war. Death serves as the omnipresent and omniscient voice that as a reader, we do not doubt, focusing on children and how war impacts on them. The world is watching events unfold in the past, yet do we learn from our mistakes? Is history repeating itself? The narrator wishes to highlight on this important point, encouraging the reader to think and, as mentioned above to form their own opinions on what is right and wrong. In fact, the narrator believes: Living a good or bad life is its own reward or punishment.

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“The Book Thief” (2013) Liesel & Hans

Language to convey meaning

Another point to discuss in relation to Death’s narrative voice is the understanding of the structure of language to convey meaning, “the words were on their way and when they arrived, Liesel would hold them in her hands like the clouds and she would wring them out; like the rain. (p. 85)” It is the unexpectedness of language and the unique way Death offers information. It explores everyday and common aspects such as rain and clouds but describes it in a way which seems unique and different to the reader; as if they are seeing it for the first time.

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“The Book Thief” (2013) The Hubermanns’ at home

The narrative voice of Death is a teacher, a guide and storyteller. Death transcends time and place, encouraging us to think about topics in a way we are unaccustomed to, allowing the reader to learn about themselves through the narrative. It is a process with no definitive outcome. It is the punishment and reward of living, a story of hope and the beauty of mankind despite humans ability to perform such horrors and destruction.Essentially the novel is a universal book because it appeals to our human psyche, our compassion and our sense of right and wrong; of injustice. No matter our background, our situation in life or where we come from, there is undeniably something for everyone in the novel. May it be the love of books, of music, of singing or reading and drawing. Of friendship and family and laughter, the narrative voice of Death cements all together through its brilliant storytelling.

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 (Review on “The Book Thief” 2013 film will follow shortly…)

Copyright © 2014 by Kate W J White (All Rights Reserved)

Beautiful Books Review

LeatherBound Classics

The Leather Bound classics collection are like something out of a dream. They are something you would find in Belle’s library in the Beast’s castle, the smell of leather, as you sit curled up in an old armchair by the fire. The pages are thick and of good quality, not only is the binding immaculate with a great front cover design but there is a matching silk ribbon to hold your place.

I can’t stop staring at them.

Did I mention they change their shades under different lighting? You will have to see for yourself…

Dracula

Cover aside, the first thing that surprised me reading it, was how it was completely unlike the film, or what the modern day audience associate with Dracula.

IMG_20140622_204322The narrative is in the form of journal and diary entries and interestingly enough, the character of Dracula, whom the book is named after- only appears a few times in the novel. It’s about the lives of the others he touches, much like ‘Oliver Twist’, that are the main focal point. At the start, the narrative is unsettling, as if you are running in inescapable circles in the castle of Count Dracula trying to find your escape.

We are introduced to characters such as Van Helsing, the famous vampire hunter and trust me when I say this- nothing about the book is sexually explicit, that the films are so keen on portraying. Count Dracula is an all powerful being that can bend the elements to his will, turn into any creature, scale up walls like a giant crab, transform into sand and float through keyholes, appear as mist, and influence the minds of animals and humans alike. He feasts on his victim every night while they are asleep, returning to the same victims until, eventually, so drained of blood they die, turning them into second generation vampires. Though they have the fear of garlic and stakes through the heart, killing a vampire seems much harder if they are blessed with super strength, cunning and have thousands of years of knowledge on how to survive. Much like an immortal superhero villain.

Terrifying huh?

The Picture of Dorian Gray

If you have read Oscar Wilde’s short stories such as “The Selfish Giant” and “The Happy Prince”, you assume The Picture of Dorian Gray will be similar in writing style – it’s not.

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Though the sentimentality is there, the novel takes on the whimsical reflections of the author, often philosophical which might put many readers off at first glance. For me, it is the concept which draws me to the novel. You get sentences which really resonate such as; “he watched it with that strange interest in trivial things that we try to develop when things of high import make us afraid”- a feeling that I for a long time tried to express into words but failed. They apply to a universal reader and often I found myself thinking, ‘ah yes, I agree!’

I first saw the film adaptation of this, before I read the book. Possible error? Maybe not. First of all, Ben Barnes is great in the role of Dorian Gray. He captures the character’s youth and inexperience, but also the darkness of the character’s gradual change throughout the novel brilliantly. As the actor reflects; it is “a morality tale about eternal youth, ageless beauty, self indulgent pleasure seeking and the pitfalls you might fall into if you pursued them so relentlessly.” Dorian Gray depicts human nature and the danger of this ‘pleasure seeking’ which ultimately leads to self destruction.

Though I would suggest to read the book first, in this case; you couldn’t go wrong with reading & watching the film together. They go hand in hand to bring visuals to life which otherwise might be hard to imagine from the book alone. However, like most film adaptations, there are events that do not correspond with the novel and if you want ‘accuracy’ it is best to take it with a pinch of salt.